From Song to Print

Romantic Pseudo-Songs

  • Authors
  • Terence Allan Hoagwood

Part of the Nineteenth-Century Major Lives and Letters book series (19CMLL)

Table of contents

  1. Front Matter
    Pages i-xvi
  2. Terence Allan Hoagwood
    Pages 71-103
  3. Back Matter
    Pages 141-196

About this book


From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print that happened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this book explores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this work shows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique of their own imitative forms and the modern, commercial context in which they appear.


Coleridge John Keats music poetry Romanticism Samuel Taylor Coleridge William Wordsworth Wordsworth

Bibliographic information