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Introduction

  • David Boucher
  • Gary Browning
Chapter
  • 81 Downloads

Abstract

This book offers a distinctive reading of Bob Dylan, by bringing together six authors whose expertise spans the intellectual worlds of literary criticism, popular culture and political philosophy. It demonstrates the immense possibilities of locating Dylan provocatively in different, but related discourses. The authors, as well as having a thorough grasp and enthusiasm for Dylan’s work, bring their disciplinary expertise to bear on his lyrics and life in order to reveal and project new and enticing interpretations. The chapters imaginatively invoke some iconic contemporary aesthetic theories in an accessible way to illustrate how Dylan’s imaginative artistry reveals compelling perspectives on the political condition. Collectively, the authors cover the whole of Dylan’s career, as well as focusing on certain definitive moments in his turbulent and controversial life.

Keywords

Political World Hall Concert Popular Song Aesthetic Theory Folk Music 
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References

  1. Gill, Andy (1998) My Back Pages: Classic Bob Dylan1962–69. London: Carlton.Google Scholar
  2. Jerome, Jim (1975) ‘Bob Dylan: A Myth Materializes with a New Protest Record and a New Tour’, People Magazine, 10 November. Reprinted in The Bob Dylan Companion, ed. Carl Benson. New York: Schirmer Books, 1998.Google Scholar
  3. Lyotard, Jean-Francois (1988) The Differend or Phrases in Dispute, trans. G. Van Den. Abbeele. Manchester: Manchester University Press.Google Scholar
  4. Meisel, Perry (1999) The Cowboy and the Dandy: Crossing over from Romanticism to Rock and Roll. New York: Oxford University Press.Google Scholar
  5. Ricks, Christopher (2003) Dylan’s Visions of Sin. London and New York: Viking.Google Scholar

Copyright information

© David Boucher and Gary Browning 2004

Authors and Affiliations

  • David Boucher
  • Gary Browning

There are no affiliations available

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